My drawings are hand-drawn geometry: a way of finding order when life becomes hard to read.
Each piece begins with construction — proportion, repetition, sacred geometry — then lets silence, movement or disruption enter the form.
They began as private work, not as products. Some are now available as fine art prints and selected originals.
When they find homes, they help buy time to live, to look, and to make the next work.
GRAFFITA
WHEN LIFE CHANGES SHAPE
When clean abstraction was no longer enough, Graffita arrived.
The geometry stayed, but the surface changed: sharper, rougher, more human.
A cycle of ten black-and-white drawings, made around moments when life changes shape — resistance, escape, inversion, impact, release.
You do not need to know where they came from. If one feels close, that is enough.
The work is not there to fix the feeling.
It gives it somewhere to stand.
GEOMETRY
The first structure.
Drawings built from circles, grids, axes and balance.
Quieter than Graffita, but not empty.
This is where the work finds its first order.
CYCLES of CHANGE
When one point is no longer enough.
These drawings begin with one structure, then let it split, drift or reform.
Parallel worlds. Slow fractures.
Almost stable — until the shift becomes visible.
Silent Forms
A quieter kind of attention
These works are pauses in drawing form — places where instinct, structure and observation meet in one clean composition.
Mandalas
Earlier forms of balance
An earlier chapter of the work, built through rhythm, symmetry and repetition.
Not private symbols or stories — just attention focused through balance and structure.
Selected mandala works are currently available as metal prints via Displate
