I draw where silence stands

I create visual and written work built on structure, limits, and continuity. My practice is rooted in geometry — not as decoration or symbolism, but as a system. Grids, ratios, repetitions, and constraints are the framework through which each work is constructed. Within that framework, tension appears. The work begins where structure is tested, not where it resolves.

The Graffita cycle records states experienced under pressure. These works do not describe recovery or transformation. They record moments where familiar systems no longer function as expected, yet presence remains. Each piece stands as a precise configuration — a frozen state within a larger sequence.

Alongside the drawings I write Still Frames – short, self-contained scenes from a life stretched between countries. The texts are built like the drawings: observational, unsentimental, made from small concrete details rather than explanations. They sit next to the images, not underneath them, tracing the same pressures in a different language.

I do not create images or stories to explain emotions or offer guidance. The work is observational. It holds form steady while meaning strains.

Each work stands on its own, but many also belong to a wider cycle.

Selected drawings are available in the shop as fine art prints and metal posters.

They are made to exist physically in space - not as illustrations, but as objects of sustained attention.

This is not about harmony. It is about persistence.